Weinston Typeface

Category: Fonts, Date: 23-06-2017, 23:06, Views: 1143


Weinston Typeface presented from Heybing Supply Co, Dual-purpose font, with authentic hand made characters and an irregular baseline, a casual, arty and inky.

Feuille Rosemary Font

Category: Fonts, Date: 23-06-2017, 23:04, Views: 983


For alternate glyph this font works best with open-type friendly applications.

Adevale Script Font

Category: Fonts, Date: 23-06-2017, 23:03, Views: 1145


Adevale is font combines with the alternate character font to make each word unique. Then add the Name your company font as your tagline and — the ideal logo!

Valter Font Family

Category: Fonts, Date: 23-06-2017, 23:01, Views: 993


Valter is a graceful and slightly cheeky collection of sans-serif display fonts inspired by pointed-pen writing. Constructed on a monolinear skeleton, it offers seven weights that incrementally increase the contrast between the horizontal and vertical strokes. The thin styles appear wider, while the heavier weights feel normally proportioned, as only the interiors of the letters gain weight. Valter also includes narrower, cursive italics, as well as small caps and advanced OpenType layout features, creating a refined type family of 16 styles.

Ocela Typeface

Category: Fonts, Date: 23-06-2017, 23:00, Views: 809


Unique & vintage style display font for your new projects. Great for retro/vintage projects!

Lumin Font Family

Category: Fonts, Date: 23-06-2017, 22:59, Views: 1030


The Lumin family includes slab-serif, sans serif, condensed and display typefaces, all of which play with the idea of contradiction. The contrast between horizontal and vertical strokes seems to be quite subtle, evoking the slab serifs of the past century. The stroke connections, however, are sharply chiseled, reminiscent of high-contrast modern types, an effect especially pronounced in the heavier weights. The result is hybrid letterforms that look almost like stencil drawings, yet maintain high legibility at the smallest sizes.

Winterfall Duo Font

Category: Fonts, Date: 23-06-2017, 22:58, Views: 1128


Winterfall is handlettring font specifically designed with a variety of alternate, ideal for posters, t shirts, typography, writing etc.

Portrait Text Font Family

Category: Fonts, Date: 23-06-2017, 22:54, Views: 1033


With its relatively small x-height and sparkling texture, Portrait Text is meant to be used for larger sizes than a typical workhorse text face. It is best suited for books where economy is not paramount and the stylish magazines where Portrait first appeared: downtown New York fashion and arts magazine Document Journal, and design and style authority Wallpaper*. Portrait Text resembles the text types attributed by the printing historian Hendrik Vervliet to Constantin and used by Estienne in the 1530s, which had a lighter and more open texture than the text types that preceded them, and marking the move to more elegant type that culminated in the work of Claude Garamont, of whom Constantin’s type are often mistaken.

Calcula Font Family

Category: Fonts, Date: 23-06-2017, 22:52, Views: 1073


Calcula is a display typeface that uses smart OpenType features to explore the space between lettering and typeface design, creating maze-like spaces between letters. Inspired by the geometric Kufic style of traditional Arabic calligraphy, Calcula is a functional OpenType typeface, with design principles that are rooted in lettering, in that each letter reacts to neighbouring letters, adapting to its context.

BC Reformulate Font Family

Category: Fonts, Date: 23-06-2017, 22:52, Views: 766


There aren’t many fonts on the market which naturally and function­ally combine strict rationality with humanistic calligraphy inspirations. Reformulate proves that even a non-proportional font, created using a very simple principle of shad­owing, need not appear cold, drab and artificial. Jakub Samek dis­plays a good sense of balance between the traditional and the calculated, between banal and thought-out. For him, optical impression and an aspiration for perfect legibility are more important than the perfect consistency of individual characters, taking a free, but educated approach. A geometrical construction, wrapped in an Illustrator brush stroke, was placed onto a cone of uniform width, as dictated by the tools and the grid. In spite of its coarseness in both principles and implementation, Reformulate later found a somewhat surprising application for its use.